I was moved by Laurel Nakadate's retrospective at P.S. 1. I thought of how much her white-framed photos hanging closely together on the white walls, were old-masterish in their chairoscuro lighting. I was pulled in. And then I got to the videos of Laurel in her underwear, sometimes topless, humping on a bed, and there went the old masters. I couldn't wrap my mind around what she was trying to accomplish when she videod herself wowing unattractive older men. Yet I was drawn into her acting, the sadness she portrayed. Carol Deihl, in her blog, Art Vent, thought that that instead of chronicling her 365 Days of sadness (after all, is she entitled to it, a young Yalie with a retrospective?) Laurel Nakadate should get a job at a convenience store. http://artvent.blogspot.com/2011/02/laurel-nakadate.html
In another blog post, Carol Diehl wrote about how art-goers are spending more time at the walls, reading text about the art than they are viewing the art. Maybe that's just what happened to me.